Sept 24th, 2026
Fuzzed-out, hook-driven double bass rock doesn't sound like the obvious vehicle for songs about empathy during political despair but Tower Defense has a long tradition of surprising combinations; particularly when it comes to combining earworms and political frustration. The Nashville quartet's two newest tracks are among their most pointed yet.
The last few years have been a slow-motion reckoning with how much can change, how fast, and how unevenly the weight of that change gets distributed. For Tower Defense, the immediacy of the most recent election shook loose a lyrical writer's block. Equal parts inspiration and frustration, these songs emerged out of the difficulty of what it costs to keep caring.
"Stop, I Think I've Heard This One Before" tackles losing people to disinformation and the particular exhaustion of interacting with a loved one you can no longer reach. This isn’t contempt, it’s genuine concern that they’ve permanently lost their grip on reality. Inversely, "Effects Are Temporary" is less patient, conjuring a reckoning around the human cost of political complacency. It refuses the comfort of "it’s only four more years" for anyone who doesn't have the luxury of waiting it out.
Together the tracks are about empathy: how hard it is to care about other people right now, and how much harder it gets when that feeling isn't returned.
June 5th, 2026
Nashville’s most bombastic double bass quartet returns with a pair of new songs, “Fit for Purpose” and “Artless Hands”.
Together, these tracks tackle the frustration of our spaces being controlled and manipulated by the urge to increase the bottom line. “Fit for Purpose” targets Nashville's sprawling, sun-baked parking lots multiplying across the city. These urban heat islands squeeze out shade, waste valuable space and simply lie in wait for the next sucker to pay.
“Artless Hands” takes aim at the streaming economy. Inspired by a 2021 Nashville Scene column by Chris Crofton, the reflection on "the executive class's bloody, artless hands, unloading all the world's music off the metaphorical back of a truck" became the song's anchor. The track weaves in lyrical threads from Converge and Christina Aguilera, originally placeholders that ended up too right to remove.
Together, the songs form a companion piece: two meditations on commodification, one about land, one about sound, both about profiteers disinterested in the common good.
Some bands write about heartbreak. Tower Defense writes about parking lots, streaming royalties, and the slow creep of commodification across everything you used to love. The bombastic, Nashville based, double bass quartet — Mike Shepherd, Sarah Shepherd, Jereme Frey, and Currey May — has been making fuzzed-out, hook-driven rock since 2013, and their new singles "Fit for Purpose" and "Artless Hands" are among their sharpest work yet. They record themselves, release on their own terms, and still sound like nobody else in town.
Band photo by Buzz Black